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Tag Archives: Bird and Flower Market
Gettin’ Your Hair Did (Men’s Version), French Concession and Hong Kong
Last year as Chinese New Year approached, I noticed a lot of Chinese women Gettin’ Their Hair Did. In what ended up being one of CPHNS’s most popular posts last year, I captured some priceless shots of women with large, … Continue reading
Posted in Androgynous, Best Dressed Generation, Children, Chinese People, Cultural Heritage, Ethnic Minorities, Gen Y, Gen Z, Hair, Historical, Hong Kong, Masculine vs. Feminine, Patriotic, Xu Hui District
Tagged Bird and Flower Market, Chinese Hairstyle, Chinese New Year, Cue, Hong Kong Airport, Lan Zhou La Mian, Last Dynasty in China, Manchu, Manchu Hairstyle, Mohawk, Mullet, Ponytail, Qing Dynasty, Queue, Receding Hairline, Shapes Shaved into Head, Shaved Head
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Post 105: The CLASH
This final post of my 100th Post Countdown of Shanghai’s Top 5 Sartorial Trends will break down what Shanghai’s style is all about, but first I wanted to point out that I’ve made Maleonn‘s beautiful illustration of 20th Century Chinese … Continue reading
Posted in Artistic, Bund, Burberry, Children, Chinese People, Clash, Color, Conspicuous Consumption, Context, Cultural Imperialists, Domestic Development, Huai Hai Road, Jing An District, Louis Vuitton, Lu Wan District, Old, People's Square, Style, Stylish, Xin Tian Di, Xu Hui District, Xu Jia Hui
Tagged 100th Post, 20th Century Chinese Fashion History, Adoption vs. Adaption, Artistic, Bird and Flower Market, Bund, Burberry, Children, Chinese People, Chinese Style, Clash, Clashers, Clashing, Color, Communism vs. Capitalism, Conspicuous Consumption, Conspicuous Logos, Context, Convention vs. Progress, Cultural Imperialism, Domestic Development, East vs. West, EFP, French Concession, Globalization, Huai Hai Road, Ikea, Jing An, Leopard, Louis Vuitton, Lu Wan, Maleonn, Mao-Bot, Native vs. Foreign Culture, Old, People's Square, Psychological Schema, Rich vs. Poor, Shanghai Look, Shanghai Style, Shanghai's Top 5 Sartorial Trends, Style, Stylish, Surrealist, Thesis, Tradition vs. Modernity, Xin Tian Di, Xu Jia Hui
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